Venice Photo GalleryVenice PHOTO & WALLPAPERSTHE WONDER OF PIAZZA SAN MARCO Piazza S.Marco is the only true square in Venice (the others open areas are campi ). St.Mark's Square was called "the drawing room of the world" by Musset. It has been the scene of some of the most important religious and political activities of the Serenissima as well as the center of Venetian social life for almost a millennium. At first the Square was limited to the parvis of the Basilica, because of the presence of a canal, "Rio Batario", which divided the present Square in two parts. The part of the Square now between the Procuratie, was once the vegetable garden of S.Zaccaria monastery with S.Geminiano church in the middle. The present shape of the Square was established in the XII century, for the meeting of Pope Alexander III and the Emperor Barbarossa by filling in Rio Batario and the dock. A small new Square was built with the columns of S.Marco and S.Todaro, the city's patron saints, overlooking St. Mark's Basin. The alteration of the Square was all done over the course of one century, adapting to the growing power and wealth of Venice. The present form reflects the works of many famous architects such as Sansovino, Longhena, Scamozzi, Rizzo and Tirani. THE BRIDGE OF SIGHS The Bridge of Sighs received its name in the 17th century, because the prisoners who passed through it on their way to the prison cells on the other side would most likely see the beautiful sight of the lagoon and the island of S.Giorgio and freedom for the last time. THE CLOCK TOWER The clock shows the hours in Roman numerals, the phases of the moon and the Zodiac. It also gives indications to sailors about the tides and which months are more favorable for sailing. The Serenissima gave a large reward to the Ranieri brothers who constructed the clock tower, but legend has it that later their eyes were removed in order to keep them from repeating such a wonder. ST. MARK'S BASILICA The first patron saint of Venice was St.Teodoro. In 828 St.Mark the Evangelist substituted him when two merchants smuggled his mortal remains back from Alessandria (Egypt). St.Mark's remains were initially buried in a chapel in the Doge's Palace but later a church was built that was to be his perpetual resting place. The church later suffered damage from fire and was modified many times to adapt to Venice's evolution of power and wealth. This simple church evolved into St.Mark's Basilica. The modifications to the Basilica continued on through an entire century, therefore the results of the construction exhibit a mixture of different styles. In order to justify the theft of St.Mark's body, legend states that when the Evangelist went to the lagoon, an angel came and said: "Pax tibi Marce, Evangelista meus" (Translation from Latin : peace to you, Mark my Evangelist), showing in this way that God had determined Venice as the final resting place of the Saint. The Venetians acted to fulfill the divine profecy. St.Mark's Basilica is also well known for the Pala d'Oro, one of the richest and most precious altar screens in the world. It is covered with more than 3000 precious stones and enamel ikons inlaid in gold. S.MARCO'S HORSES The origin of the four horses is not well known, but it is believed that they came from Costantinople. Their heads were separated from the bodies to make the transportation easier. After arriving in Venice, the cuts between neck and head were hidden by collars. They were cast in almost pure copper, harder to melt but easier to gild. In 1797 after Napoleon Bonaparte declared the official end of the Venetian Republic he sold the Venetian territories to Vienna but before leaving the city the French looted all that they could carry including the four horses. They were returned by the French Government only after 1815. THE PALAZZO DUCALE The Palazzo Ducale (Doge's Palace) got its present form after radical changing during the 14th and 16th century. It was the Doge's residence and at the same time seat of many different political and social institutions. The first floor was occupied by minor institutions, such as the Avogaria or lawyers offices, where law cases were examined; the Chancellery; the Censors and Provveditori della Milizia del Mar (Naval Offices) which oversaw the care and equipping of ships. The Grand Council chamber, the largest room of the palace, the Ballot chamber, where the committee met to elect the Doge, and the Doge's apartments are located on the second floor. The Sala del Collegio, where foreign ambassadors were received, and rooms used by the state security service like the Council of Ten are located on the third floor. The Bussola chamber is a small room with a box where citizens could submit written complaints against other citizens. The Sala dei Tre Capi (Three Chiefs Room) was used by three components of the Council of Ten, who kept that place only for one month. The State Inquisitor Room was used to interrogate prisoners. THE BELL TOWER "El paron de casa" (the lord of the house): so Venetians called the bell tower of St.Mark. On July 14, 1902 it collapsed, luckily without causing any casualties, not even a pigeon was hurt. It didn't do any damage to the Basilica either even though it stands just a few feet from its entrance. Inside the bell tower there are 5 large cast iron bells. Each bell has a name and a purpose; Marangona rang mornings and evenings at the beginning and end of the work day, Maleficio rang for capital executions, Nona rang at the 9th hour, Trottiera called magistrates to meetings in the Palazzo Ducale, and the bell of Pregadi called senators to the Palace. THE CARNIVAL When Carnival first began it was celebrated from December 26 and reached its climax the day before Ash Wednesday, also known as "Mardi Gras". During the period of Carnival it seems that every excess was permitted and the fact that everyone wore masks seemed to abolish all social division. All the campi were thronged with people intent on partying and carousing, singing, dancing and playing games. The most common costume (the baùtta) was composed of a black silk hood, a lace cape, a voluminous cloak (the tabarro), and a three-cornered hat and a white mask that completely covered the wearer's face. This allowed revelers to go around the city incognito. It was useful to go to casini, places where you could play games of chance. Since 1980 the celebration of Carnival in Venice has gained popularity. People come from the world over to attend private and public masked balls and masked revelers of all ages invade the campi where music and dancing continues nearly day and night. Theatrical performances and an array of ancient games are organized for the amusement of Venetians and visitors alike. Venice Photos and Wallpapers 1600 *1200 Venice Photos and Wallpapers 1280 * 960 Venice Photos and Wallpapers 1152 * 864 Venice Photos and Wallpapers 1024 * 768 Venice Photos and Wallpapers 800 * 600
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